So that’s where I stole from my betters and brought the original Dan into the new Dan.This Asian horror film starts off with a young couple (Tun and Jane) driving back from a get-together late one night and hitting a girl that suddenly appears on the road. Everything in his life allows him to navigate space with ease and confidence.” He says that made for a heady plunge “when all of that has fallen apart 15 years later.
Jackson talks about how Douglas “moved through space” in the original, living what Jackson calls “a frictionless life. His belief system is a millimeter deep.”Īlthough the actors seized on the miniseries’ opportunity to rethink the story and characters, there were pieces of the original performances that proved invaluable to their versions. “This man who who presents himself as literally a paragon and arbiter of justice” as a district attorney in the miniseries, as opposed to a corporate lawyer in the film, “is willing to move around the edges of what is morally or ethically correct in order to prove he’s right. And what he has unwittingly done is, he’s reached out for his perfect opposite number. So although even the film’s Dan was never exactly an innocent in this conflagration, Jackson wanted to make clear he threw the first match.ĭan’s bruised ego “is why he reaches out for Alex.
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The series looks more deeply into Dan as well: his quest to live up to his neglectful father’s standard of accomplishment and the addition of a career disappointment that perhaps sparks his transgression. “And then to examine the rippled-out repercussions as our timeline jumps forward 15 years,” he says of the miniseries’ added time frame, depicting what happens years after the affair, “you see how these things metastasize over time and have unintended consequences you’re dealing with for the rest of your life.” It was interesting to take that character and use it as an examination of male frailty and what happens to an ego - particularly of a white man, of a certain economic class and a certain level of achievement - what happens to that ego when it’s pushed out of its comfort zone. His wife is mildly annoyed that he had an affair but very quickly is on board with just trying to get that damn woman out of their lives. “He doesn’t really feel accountable for being the one who pushed the first domino. “Dan does not face a lot of repercussions for his actions,” he says. Whereas Alex eventually pays the ultimate price for her sins in the film, as Jackson points out, Dan essentially gets off scot-free.
“It felt like one of those iconic things that could maybe benefit from a reimagining through a modern lens.”
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“It was mostly because of the conversations I had with Alex Cunningham, combined with reading a lot of what Glenn Close felt about the movie and the treatment of Alex Forrest,” Caplan says of taking on the female lead. So why re-boil that bunny? You might say it was a drive for justice for the character Alex Forrest. The film was 1987’s highest grosser it received six Oscar nominations it starred Oscar winner Michael Douglas and now-eight-time nominee Glenn Close in perhaps her most iconic role it featured lines and moments that have entered the cultural lexicon.Īnd Caplan says of making a new version: “Everybody’s initial reaction when anything so beloved is revisited is aversion.” Lizzy Caplan and Joshua Jackson knew what they were getting into when they signed on to the reimagining of “ Fatal Attraction” as a Paramount+ miniseries.
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